These
days, it is often the case to experience an ever growing hybrid of
multi-cultural music influences that are always threatening to add
and/or change the face of Jazz. Nothing of this is new, though. It is
simply the natural evolutionary process especially within the Jazz
Latino genre. That extensive musical melting pot can probably be felt
and heard through the talent of three contemporary Latin musicians
based out of New York, leader/bassist John Benitez, drummer Dafnis
Prieto and pianist Luis Perdomo on their recording titled "Descarga In
New York."
Although these young Jazzmen hale from
different parts of the world, Benitez from Puerto Rico, Prieto from
Cuba and Perdomo from Venezuela, it is not difficult to hear their
able application to Jazz--some particular musical influences that are
characteristic of their respected countries. But, the prevailing
factor is no doubt, Jazz. And so, three worlds collide in New York as
the John Benitez Trio set the Latin Jazz beat on it's feet. Also
joining the trio are special guests saxophonist Ravi Coltrane and
percussionist Richie Flores.
The session moves to a medium tempo rhythm
variation on the first track titled "Nuevo Montuno" featuring a bass
solo by Benitez and also includes a drum/percussion descarga solo.
That pretty much sets the tone for the upcoming tracks which include
various group configurations. Rather than a trio, this session should
probably be considered a quartet as percussionist Flores is hear on
most if not all of the tracks. Making for a total of 12 tracks, this
CD features compositions by all three of the main players, a short
descarga tune by Flores titled "Convergence", and three of the tracks
composed by Vinny Valentino that include the first track mentioned
above, plus "J Ben Jazz" and "Positano."
There's no questions that all participants
on this CD are noteworthy musicians. Standing out from the pack is
pianist Luis Perdomo whose playing and composition skills are
exceptional. As evident here and his work with other notable musicians
like saxophonist Jane Bunette and percussionist Marlon Simon, Perdomo
is in serious contention to become one of the more important Jazz
Latino pianist/composers in the next ten years. Ravi Coltrane also
does an admirable job at blending his Jazz chops with the Latino
fusion. Too bad he only plays on two tracks.
Benitez plays his bass aggressively.
Although his knowledge of this music is solid, Benitez seems to lack
character and soulfulness (something that will grow with maturity).
Perhaps no fault of his, often times Benitez gets entangled within the
rapid fire rhythm. In other words, there's so much high energy
exhorted by the tandem of percussionist Flores and drummer Prieto
leaving little room for virtually anyone else to breath. Of the two,
Flores demonstrates almost no musical sensitivity to this music adding
chaos with his continuous interposing licks and hits on the conga. No
doubt he has great chops, perhaps trying to "be like Mike" (Giovanni
Hidalgo). As far as this record is concerned, unlike Hidalgo, Flores
demonstrates very little musical discipline within the context of this
music. Prieto's style is similar to that of Dave Welkle, the famed
drummer from Chick Corea's Electrik Band, thereby demonstrates much
precision but overflows with super-imposing pyrotechnics on the drums
and continuous unnecessary overuse of accents with the cymbals over
parts of the melodies. Over all, the band manages to groove, but
there's a thin conflict clash of styles between percussion/drums and
bass/piano. Regardless, this CD is a display of some good players to
keep an eye for the future in Latin Jazz.
review by John Davis
JDavis@latnjazzclub.com
Contributing writer
LatinJazzClub Magazine
Courtesy of
LatinJazzClub™