These
days, it is often the case to experience an ever growing hybrid of
multi-cultural music influences that are always threatening to add
and/or change the face of Jazz. Nothing of this is new, though. It
is simply the natural evolutionary process especially within the
Jazz Latino genre. That extensive musical melting pot can probably
be felt and heard through the talent of three contemporary Latin
musicians based out of New York, leader/bassist John Benitez,
drummer Dafnis Prieto and pianist Luis Perdomo on their recording
titled "Descarga In New York."
Although these young Jazzmen hale
from different parts of the world, Benitez from Puerto Rico, Prieto
from Cuba and Perdomo from Venezuela, it is not difficult to hear
their able application to Jazz--some particular musical influences
that are characteristic of their respected countries. But, the
prevailing factor is no doubt, Jazz. And so, three worlds collide in
New York as the John Benitez Trio set the Latin Jazz beat on it's
feet. Also joining the trio are special guests saxophonist Ravi
Coltrane and percussionist Richie Flores.
The session moves to a medium
tempo rhythm variation on the first track titled "Nuevo Montuno"
featuring a bass solo by Benitez and also includes a drum/percussion
descarga solo. That pretty much sets the tone for the upcoming
tracks which include various group configurations. Rather than a
trio, this session should probably be considered a quartet as
percussionist Flores is hear on most if not all of the tracks.
Making for a total of 12 tracks, this CD features compositions by
all three of the main players, a short descarga tune by Flores
titled "Convergence", and three of the tracks composed by Vinny
Valentino that include the first track mentioned above, plus "J Ben
Jazz" and "Positano."
There's no questions that all
participants on this CD are noteworthy musicians. Standing out from
the pack is pianist Luis Perdomo whose playing and composition
skills are exceptional. As evident here and his work with other
notable musicians like saxophonist Jane Bunette and percussionist
Marlon Simon, Perdomo is in serious contention to become one of the
more important Jazz Latino pianist/composers in the next ten years.
Ravi Coltrane also does an admirable job at blending his Jazz chops
with the Latino fusion. Too bad he only plays on two tracks.
Benitez plays his bass
aggressively. Although his knowledge of this music is solid, Benitez
seems to lack character and soulfulness (something that will grow
with maturity). Perhaps no fault of his, often times Benitez gets
entangled within the rapid fire rhythm. In other words, there's so
much high energy exhorted by the tandem of percussionist Flores and
drummer Prieto leaving little room for virtually anyone else to
breath. Of the two, Flores demonstrates almost no musical
sensitivity to this music adding chaos with his continuous
interposing licks and hits on the conga. No doubt he has great
chops, perhaps trying to "be like Mike" (Giovanni Hidalgo). As far
as this record is concerned, unlike Hidalgo, Flores demonstrates
very little musical discipline within the context of this music.
Prieto's style is similar to that of Dave Welkle, the famed drummer
from Chick Corea's Electrik Band, thereby demonstrates much
precision but overflows with super-imposing pyrotechnics on the
drums and continuous unnecessary overuse of accents with the cymbals
over parts of the melodies. Over all, the band manages to groove,
but there's a thin conflict clash of styles between percussion/drums
and bass/piano. Regardless, this CD is a display of some good
players to keep an eye for the future in Latin Jazz.
review by John Davis
JDavis@latnjazzclub.com
Contributing writer
LatinJazzClub Magazine
Courtesy of
LatinJazzClub™